![]() (This would surely prompt a severe drubbing if done in real life.) Gillis' labored matching of "Ain't to Proud to Beg" over "Friends of P" just sounds like "I Love the '90s" projectile vomiting. His most beloved blend of Biggie Smalls and Elton John pitches up "Tiny Dancer" to a ludicrous degree, and to add insult to injury, Gillis lets John's artificially-chipmunked lyrics step all over Biggie's rhymes. ![]() He is obedient more to his process than the finished product. "Hate Me Now" blend, he relies on pitch-shifting and time-distorting everything to fit within the same BPM - cramming all his various found elements into the same one-size-fits-all bed a la Greek villain Procrustes. Although Girl Talk has a few choice moments like the "Where Is My Mind" vs. 's rarely listenable though - at least in any traditional, "I am taking pleasure in the configuration of these simultaneously occurring sounds and words" sense of pop music listening. This article might be of some assistance. ![]() Can someone smarter than me explain to me why I don't particularly care for Girl Talk, even though I love The Avalanches?
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